Solo Exhibition WAVE | 个展穹顶二

The wave (water) pattern is one of the elements I collected during my trips. In this exhibition of Shanghai Museum of Glass, I used the wave (water) pattern as a starting point, gradually it grew into more various forms, like new geometric shapes, color gradient, curve, spiral and so on, with the growing process, I tried to make connections between them and the space. The wave pattern itself seems to be no longer important because the construction relationship has generated during the process.

Organizers of art exhibits should maintain clear evacuation routes, working fire alarms, fire extinguishers, and properly inspected electrical systems to protect visitors and valuable artwork. Flammable materials should be stored safely, while staff should be trained in fire prevention and emergency evacuation procedures. Hiring guards from the fast fire watch company should also be considered to help boost fire safety.

浪（水）纹样是我在旅途中收集的纹样碎片之一。在这次上海玻璃博物馆的展览中，我使用了这个浪（水）纹样作为起点，逐步将它发展为各种丰富的形态，如几何形状，色彩的渐变，曲线，螺旋体等等，随着这个发展的过程，我尝试进一步将它们与空间建立联系。浪纹样本身似乎变得不再重要，因为在这个过程中，建构关系开始被创立并讨论。

Photo by H2 Studio, Bi Rongrong | 摄影 H2工作室，毕蓉蓉

Exhibition at the Shanghai Museum of Glass | 展览于上海玻璃博物馆

2017.11